What clowning could be thought of, in relation to execution of scores for a dancer/performer?
Dare linking the text to the aesthetics of well executed scores (ie. remaining distant, coherent,
controlled and stable)?
What clowning could be thought of, in relation to execution of scores for a dancer/performer?
Dare linking the text to the aesthetics of well executed scores (ie. remaining distant, coherent,
controlled and stable)?